i just had the pleasure of recently finishing SKIN HUNGER,
the first book in the RESURRECTION OF MAGIC trilogy
by kathleen duey. i'll be featuring an interview with duey
in august--just in time for her sequel release titled,
SACRED SCARS. cannot wait for that!
but our email exchanges led to a discussion about the
twitter novel that she is working on. i've seen her posts
off and on throughout the week on twitter, and am fascinated
by the concept as well as the driving force behind this.
the story is told from russets point of view :
Russet: Here's the deal. I can't go back. Not now, not ever.
I'll explain when I can. But first, I have to find a blanket.
and so it begins, duey telling the story in 140 character
tweets on a near daily basis. duey shares with us at the
enchanted inkpot her thoughts and feelings behind the
entire twitter novel endeavor.
what prompted you to write this?
A : I recently decided—after years of being a craft-sponge—that
I wanted to go back to the art-roots of my writing. I wanted to
experiment with interesting structures, storylines, experiment
with everything. The Resurrection of Magic trilogy is the first
published result of that decision. Volume one, Skin Hunger, was
a finalist for the National Book Award for Young People’s Literature.
Volume two, Sacred Scars, will be out in August. I am working on
the third book now—all three books have two stories, two protagonist.
The first story causes the second one and they go back and forth,
every other chapter. I have several other exciting projects in the works.
All of these will be published in the usual way, and all are experimental.
I opened a Twitter account and tried to think of something interesting
to do with it, some experiment. The 140 characters-or-less limit for each
tweet was challenging and interesting and one morning I decided to begin
channeling a character there. I knew his name, that he was in trouble—
and nothing else. I am not plotting the story. I have no idea what happens
next or how it will end. Or when. I am letting Russet tell me what is
happening, every morning, and it feels very immediate, like he is calling
me on the phone and telling me what’s happened. He has just turned 18
and is trying to figure out his life—it isn’t easy, his life has been very complicated.
Russet talks, I listen and type.
Once written, no revision.
When he stops talking, I post the Tweets, all in a row.
Then I add them to the blog archive http://russet-one-wing.blogspot.com/
A : It’s been amazing for me. It seems to have dissolved a couple of other creative log jams. My other work is more inspired, less mechanical. And I have come to care about Russet.
Then I do other work.
What has the experience been like so far?
how does it differ from writing a straight novel.
A : It’s freer, more exciting, way more terrifying, all the good stuff.
what are the challenges and the joys of this type of writing
better at it. Or maybe Russet is learning to talk a little louder. At first,
I heard his voice as a whisper. Now, it’s more defined, and I feel his
emotions more clearly. He is so angry, so scared. Most of the time,
writing Russet, I feel like a singer, head thrown back, breathing the music,
eyes closed, completely unaware of the audience, just living inside the song.
It’s a temporary and wonderful loss of self-consciousness. And I am pretty
sure that’s when art happens.
learn more about kathleen and her books at her website :
follow russet's story on twitter :
A : It’s been amazing for me. It seems to have dissolved a couple of
other creative log jams. My other work is more inspired, less mechanical.
And I have come to care about Russet.
twitter novel archives :